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Color Lecture Intoroduction | Vol.2  

EIJI SEKINE
Representative of the Art Laboratory LE BEAU

CG ; Tadashi Utsunomiya, the ATELIER LE BEAU
The Basic Color,the Primary Color,its Number and the Order.

 The Color systems can be classified primarily depending on selected basic colors(black/white) and primary colors (pure colors in chromatic colors), and those numbers, and correlation of their order and causality.
1. One Basic Color ; BLACK or WHITE / Lightness or Darkness
a) Infinitude (Fusion) = In the Oriental philosophy, the phenomena caused by individuality and relativity like black and white or lightness and darkness are called "color" and are regarded as vacancy. Namely," color (phenomenon) is vacancy itself, vacancy is color(phenomenon) itself", as Hannya Singyo(般若心経)says.

  In that sense, achromatic color is the origin of all colors, as symbolized in the Oriental black-and-white drawings.
By the way, in the Occidental EccL says,"vanity of vanities ; all is vanity."

b) Darkness BLACK = "Xuan"of Lao-tse (ancient Chinese philosopher) defines the darkness as the origin of all
substances and phenomena. "Xuan Yuan (dark origin)" is of the same concept of Xuan.

c) WHITE = White (ray) of Newton's optics is possible to be divided into the light of all wave-lengths (spectrum colors).


2. Two Basic Colors ; BLACK and WHITE / Lightness and Darkness


a) Yin Yang (negative/positive) = In the ancient Chinese philosophy(divination), all things in nature are regarded as existence in the pair of Yin Yang two spirits. Accordingly, Yin Yang is black and white as well as darkness and lightness and also a nothingness and an existence.

b) Lightness and Darkness (WHITE and BLACK) = Aristotle defined that "All the colors are generated by composition of light and darkness or white and black". (Leonardo Da Vinci also followed this.)

c) Lightness and Darkness = Goethe defined that "Colors are generated on an edge between lightness and darkness" .
It is the proposition gained from phenomenon of his edge spectrum.

d) BLACK and WHITE = Chemist Ostwald is color scientist who considered black most important. His color system consists mainly of black, white and full(pure) color.

  The above-mentioned one basic color and two basic colors are in the dimension of achromatic color, and the philosophies of life and the world are the basis of color system. The so-called theories of primary colors are of the concepts of chromatic color. This theory of primary color defines the elemental color as the origin of all colors and the natural light (white light).

 




3. Three Primary Colors

a) BLUE, YELLOW, RED = Ancient Chinese divination "Yin Yang Five Phases" added three primary colors to the basic colors of Black(Yin) and White(Yang).

b) WHITE, YELLOW, BLACK = Aristotle defines in his metaphysical color theory that the individual color (primary color) was the property of four elements. While air, water and soil are White, fire is Yellow. And Black is generated in accordance with the loss of air and water by fire.

c) RED, GREEN, BLUE = In the "Theory of Rainbow", Aristotle's empirical science, he mentioned optical three primary colors.

d) RED, YELLOW, BLUE = Three primary colors of Goethe's edge spectrum are more precisely defined as Magenta, Yellow, Cyan. He made a hue circle of six colors with these three primary colors and corresponding three opposite colors ; Green, Violet and Orange.
In the case of "Red(carmine), Yellow and Blue" by the painter Otto Runge, three primary colors are defined as pigments systematically. Runge is in the same era with Goethe or Chevreul , and his theory was followed by Klee and Itten.

e) VIOLET, GREEN, RED = The physiology of Young-Helmholz's color perception theory and the physics of Maxwell's electromagnetic wave theory determined three primary colors of the light as V, G, R.


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4. Four Primary Colors

a) WHITE, YELLOW, RED, BLACK = Leonardo Da Vinci

b) YELLOW/BLUE, RED/GREEN = Hering. The theory of opposing color of physiology and psychology regards that color perception is due to the resolution and synthesis caused by photochemical reaction of retinal visual pigments such as Yellow/Blue, Red/Green. And then, the color can be sensed by composing them with black-white retinal pigments.
 Hering's color circle (Natural Color System) was formed with eight principal colors composed of four primary
colors and their complementary colors.
 Today's NCS is fully based on Hering's theory.
 PCCS (Practicol Color Co-ordinate System ; hue-tone system) is also based on Herings primary colors and composes complementary twenty four colors circle.

c) YELLOW/VIOLET, RED/GREEN = Ostwald's theory is different from Hering's opposing color theory. He determined four primary colors as complementary two color-pairs by means of "mixing by revolution" and formed the color circle with eight principal colors by deviding / complementing the two color-pairs.

The class of primary color
  A primary color cannot be given by mixing color essentially. While three primary colors in the light are Violet, Green and Red, but in pigments they are Blue,Yellow and Red.
 (Once, PCCS's color circle was based on six primary colors of the combination of three primary colors of each light and pigment.)
  While Hering's opposing color theory had four primary colors, Ostwald also claimed two pairs of complementary color (four colors).
 There are four kinds of primary colors ; color light, pigments, retinal visual pigments and color plane (solid color).
But in case of the pigments, the dye (ink) and the opaque pigments give completely different effect in mixing.
 So the color system in fine arts using the pigments adopts five primary colors by adding the principal colors of Green (Blue and Yellow) and Purple (Red and Blue) to the primary colors of Blue, Yellow and Red.


5. Five Primary (Principal) Colors

a) BLUE, GREEN, YELLOW, RED, PURPLE = In Chinese astrology, the chromatic colors are exactly in the order of wavelength (intensity of energy).

b) YELLOW, RED, PURPLE, GREEN, BLUE = The chromatic colors in Aristotle's Theory of Sense are arranged from lightness Yellow to blue.

c) RED, YELLOW, GREEN, BLUE, PURPLE = Munsell numbered primary colors from Red (long wavelength) same as Newton, Goethe and Chevreul,and made the color circle with five primary colors and their complementary colors.


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7. Seven Primary (Principal) Colors

a) WHITE, YELLOW, RED, PURPLE,GREEN, BLUE, BLACK = In Aristotle's Theory of Sense, the colors are generated in modification from white to black as shown in the previously mentioned items of two basic colors and three primary colors.

b) RED, ORANGE, YELLOW, GREEN, BLUE, INDIGO, VIOLET = Newtonian spectrum consists of seven colors of five principal colors and two complements (semi-tone). It was based on the analogy from a musical scale that he numbered these seven colors from Red.


  Although the color system becomes more simple when it has smaller number of primary and principal colors but it brings some difficulties in practical coloring to impose to each principal colors the increasing number of requirements and roles.
 The most ideal color system is ; it is simple and still satisfies all the requirements of various circumstances such as unity of the whole (one basic color), the relativity of color (two basic colors), the relative class and correlation of color (three primary colors), the reciprocal compound and relation of power of color (four primary colors) , the system of function and interaction fields of color (five primary colors), the synthesizing and developing of color (six principal colors) and the circulation of all of the color (seven principal colors).

 Needless to say, such system must be valid for all the facts in physics, physiology, psychology, engineering and practical composition.
 In that sense,five primary(principal)colors system is considered having an abundant possibility which covers from all the natural phenomena to practical fields like coloring and activity of the art creation.


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We have opened below items in blue.
introduction >>
vol.1 Summary of the "Color Cosmos".
vol.2The Origin of Color System in the East and the West. >>
vol.3The Phases of the Prevailing Color Systems. >>
vol.4The Origin ; the Field of the Color Cosmos.

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